You know, when you think about it, Tales of Legendia’s second half really, really glossed the hell over Shirley’s actions. I mean, this cutesy flower-crown-making dame was going to straight up murder every human being in the fucking world because the guy she liked didn’t like her back!
I love Tales of Legendia, honest to Palutena I do, but when I look back on this game critically, it is frankly astounding that no one, during the second half of the game, seems to take any issue whatsoever with the fact that Shirley was moments away from drowning the entire human goddamn species because her feelings weren’t reciprocated! I think there’s, what, a moment during the second half in which the party makes a lighthearted joke about it? Ha ha, yeah, good natured ribbing, nice one guys, ha ha, you made her blush, ha ha, she was going to murder you all over a teenage crush.
And hey, look, I’ll be fair about this. I know that the catalyst for Shirley’s deciding to go forward with Maurits’s plan* to annihilate the human species is, ostensibly, the death of Shirley’s friend Fenimore. It’s quite a tragic scene, and I myself was moved by her loss, even if she was often kind of a jerk. And I also acknowledge that the influence of the raging water god thing** that Shirley was connected to probably had something to do with the matter. It’s not JUST the fact that Senel rejected Shirley’s advances that galvanize her to go forward with Maurits’s scheme.
Nonetheless, even if there are mitigating factors, I feel that we can only logically conclude that the only truly important part in Shirley’s decision to drown the human race is her desired romance with Senel. Her guiding philosophy as the Merines is that humans and Ferines can’t live together peacefully; they’re too different and historically humans have treated her people the way white people historically have treated Native Americans. It’s an idea that’s catalyzed by Fenimore’s death, but maintained by Senel’s rejection, as evidenced by the fact that the moment Senel says, “Uh, you don't need to kill us, Shirley...because...I love you. Oh, yeah, baby! I feel like doing stuff for you, and stuff,” Shirley calls off Armageddon in favor of smooch time.***
And yet, despite the fact that Shirley’s way of dealing with rejection from her personality-lacking protector is less “write bad poetry in my room” and more “untold millions of innocents must die for no reason”, no one, particularly not her new boytoy Senel (who has, in the proud tradition of Legend of Dragoon’s Dart and Final Fantasy 8’s Squall, spontaneously flipped his brain switch to love her for no particularly credible reason), calls her out after the fact on this incredibly petty rationale.
And it IS petty. So very, very petty, and selfish, not to mention illogical and stupid. Because, you see, it’s not just that Shirley’s mind could be changed by seeing love between a human and a Ferines. She, specifically, has to be the one to benefit and get a beau out of it. How do we know that she’s holding millions of lives ransom for a boyfriend, and it’s not just a philosophical matter of not believing that peace can occur between the 2 species without there being proof that they can love one another? How do we know it’s purely selfishly subjective, and not general and objective? Because Shirley already knows that humans and Ferines can love each other. She was there to witness it! Before Senel settles for this whiny silver medal, he was in love with Shirley’s sister, Stella! In fact, we see far more convincing evidence of Senel’s devotion and affection for Stella in this game, even though it’s all in her absence and after her passing, than we do of his eventual feelings for Shirley!
Oh, and by the way, real fucking considerate on Shirley’s part to get so upset over Senel’s rejection of her confession when he just lost Stella, what, a week ago? A day? Stella’s loss is still fresh and painful when Shirley makes her bid for the guy’s heart. Dyntos forbid the guy take a fucking moment to mourn the loss of the love of his life before doing a forward half somersault dive into your panties, you insensitive cow!****
And that’s not all. Senel may not immediately return Shirley’s affections, but he has been there as her steadfast friend her whole life, and throughout the entirety of the game’s first half, he is throwing himself into dozens of life-threatening situations and running himself fucking ragged trying to take care of and guard her! Say what you will of Senel’s otherwise lacking character depth, but the guy is a loyal, unrelenting protector and friend to Shirley. Forget romantic love, his mere friendship with Shirley is MORE than enough evidence for any objective observer that humanity and magical water plot people can coexist with deep, meaningful bonds!
If Shirley wanted any real evidence that humans and Ferines can come to live in harmony, she has only to look at the entirety of her fucking life for it. The love she witnessed all her life between her sister and Senel, and the intense devotion Senel has to her as a friend and would-have-been brother-in-law, should be far more than enough to convince her not to go through with Maurits’s genocide plans. But that’s only IF she were not just being a selfish, spoiled little twat about the whole affair, using the philosophy of Maurits as an excuse to lash out over a failed teen crush. Yes, the decision to extinguish an entire species of people comes down not to her people’s history, not to the death of Fenimore, not to a philosophical policy of “get them before they get us,” but rather the fact that her fragile feelings are fucking hurt and she’s got the opportunity to throw the biggest tantrum in history over it.
What a petty, stupid, selfish, and just outright horrible person Shirley is. At least when it comes to Fenimore and Maurits and the rest of the Ferines, their hatred for humans and harmful wishes are based on actual tragedy and atrocity witnessed by, and even inflicted onto, them. Genocide isn’t the answer, of course, but at least their lives have born witness to tragedies that you could understand leading to that kind of decision. Fenimore’s death catalyst aside, Shirley won’t snap out of her self-indulgently gloomy murder haze solely because she got friendzoned. Yeah, well, Shirley, you know what? The question of whether you can live in peace together with someone else should NOT have to depend on whether they’re willing to stick a dick in you!
I really like Tales of Legendia. Of the 5 Tales of games I’ve played, it’s my favorite, for its great cast and the terrific sense of family and home it creates among them. But the game’s not flawless, even in the areas in which it truly shines, and nothing proves that better than how quickly and inexplicably the entire cast is willing to completely forgive and forget about the fact that Shirley is a terrible person.
* Speaking of inexplicable free passes, how about that Maurits? He’s the guy who orchestrates the whole human extinction plan to start with, and unlike Shirley, there was no stage of the plan in which he wasn’t fully aware of what he was doing. And yet during the game’s second half, he’s still alive and well, and even being allowed to continue leading the Ferines village! Look, I know that vengeance is bad and many times harsh punishments don’t really solve anything, but maybe his intention to slaughter millions of people deserves at least a slap on the wrist, huh? Could we perhaps not let this guy keep a leadership role, at least? If Hitler had lived to see the end of World War II, we probably wouldn’t have reinstated him as leader of Germany, don’t you think?
** Not a euphemism for her period, I swear.
*** If anyone can actually find a link to a video of when Futurama’s Bender says this (the episode called Love and Rocket), I’d be grateful. It just isn’t as funny in text form.
**** I realize that Shirley’s also broken up about Stella’s loss, too, and I sympathize and allow her that, but that doesn’t really relate to this situation, so neither does my sympathy. Also, it doesn’t really fit in anywhere else in the rant, but I want to note--Stella’s death is not an adequate factor for Shirley wanting to drown humanity, the way Fenimore’s death is (in theory, at least). Stella may die because of human vice, but her last acts are to protect Shirley and (more importantly) Senel from harm. If anything, Stella’s death is a positive example of the love of a few outweighing the hate of many, and thus should be another reason for Shirley not to go forward with the genocide thing.
Wednesday, June 28, 2017
Sunday, June 18, 2017
Whisper of a Rose's Hellena's Nonexistent Fire Magic
Okay, I said I was done ragging on Whisper of a Rose, but this issue only came to mind after I was done with the other rant, so...yeah. 1 more rant on this Indie RPG, and then I’m finished. Really.
...Well, until I remember something else that bugs me, anyway.
Something which occasionally occurs during story cutscenes in RPGs is that magic-using characters will use a spell from their repertoire to accomplish something or other. Most often, this comes in the form of the healers in the party trying to repair someone who just got thoroughly wrecked, actively showing their healing spells outside of combat, but it can apply to plenty of other scenarios. In Final Fantasy 4, for example, there’s a moment in which a bunch of ice is blocking the heroes’ path, and they need Rydia to get over her fear of fire so as to use fire magic to melt the ice. Rydia, of course, steps up and delivers, as she always does, and we see her use fire magic outside of battle, and find that it’s been added to her list of battle spells.
RPGs tend to be, I’ve found, surprisingly careful about this sort of thing, too. Many times, I’ve been slightly annoyed because a party member will use an attack spell in a cutscene that’s actually not nearly the best option available to them (like, say, using Fire 1 to attack an enemy outside of actual combat even though the character has access to Fire 2). This is done, of course, to make sure that other players who may not have advanced their characters’ abilities as far as I have at that point will not be seeing the party member using spells that he/she hasn’t actually unlocked yet. It’s a careful detail for the sake of accuracy, you see. Heck, Lufia 2 has several moments in its storytelling in which Selan or another spellcaster uses their magic for a purpose outside of the battle system, and the game is so meticulous about being accurate with this, that Selan in fact has in her magic list a spell called Light, which has no actual function in the game whatsoever, save for a moment at the game’s end in which she uses it to light the dark fortress of the Sinistrals. And I think that’s only there because it was shown to have happened during the beginning sequence of the first Lufia title, so to maintain accuracy, they added this otherwise unused spell to Selan’s repertoire, specifically so her ability to light up the room (in the literal sense, though I daresay Selan does it figuratively, too) is accurate. Now that’s attention to detail!
I suspect that it is because RPGs tend to be extra careful to be accurate with their use of out-of-battle spell-casting that it seems so careless and strange when a case like Hellena in Whisper of a Rose comes along.
So, in Whisper of a Rose, the first companion that protagonist Melrose meets is Hellena, the perpetually and maybe a little unrealistically cheerful and friendly witch whose control over the elements makes her your primary spellcaster for the game. There are several moments in the game in which Hellena’s powers manifest during story scenes outside of battle, such as early in the game, when she accidentally uses a lightning bolt to try to keep Mel from walking away from her, or very late in the game, when she casts a fire spell on piles of wood during a sidequest to find a pile that doesn’t burn. In fact, those 2 abilities are the ones which Hellena frequently exhibits outside of battle, the ability to throw lightning around and the ability to control fire. She has more spells, of course, but you don’t really ever see the storytelling emphasize her control over wind, hail, rain, and plant life, just the lightning and fire thing.
And that would be just fine if Hellena actually had access to a fire spell. But she actually doesn’t.
I’ve looked everywhere on her skill tree, and even checked the walkthrough for Whisper of a Rose to see what her Rose Point super-skills are, and...nope. There is not a single fire spell in the entire tree. There’s a lightning spell, so that one checks out, but no fire spell. And yes, the lightning spell is actually of the fire element in terms of which kind of damage it does, but you can’t really count it as the same fire spells that Hellena uses during cutscenes, because, well, she also clearly has separate lightning spells that she also uses in cutscenes, too, as I said.
I know this is a nitpicky detail, but how do you, as a developer, manage to overlook the fact that the mage that you show using fire magic at multiple places in the story does not, in fact, have a fire spell? I mean, the very first time you encounter Hellena in the game, she burns down an inn! Fire is not only an ability that she makes use of frequently during the story’s course, it is also the first, character-defining thing about her that we see! That bit of hotel arson is related to Hellena’s occasional inability to control her powers, which is a plot point later on regarding her wicked witch wannabe mother. It’s at the root of a scene having strongly to do with a major story detail about Hellena! How did you just FORGET that she can’t use the fire magic she uses in this and multiple other scenes, Roseportal Games? Come on!
Is it a big deal? Nah. Is it a unique problem? Well, I guess not technically (the Mass Effect series’s cutscenes are known for ignoring the various abilities and weapon preferences of Shepard in favor of generic weapons so as to keep things easier for themselves), although it certainly is unusual. But it’s details like this that can be telling of larger problems with a game, and that’s the case here, I think, because this carelessness with following up on Hellena’s details to make sure they supported the ideas that Rosepetal Games had for her is similar to the major problems what Whisper of a Rose has with not taking the time and making the effort to support, explore, and follow through on its ideas.
...Well, until I remember something else that bugs me, anyway.
Something which occasionally occurs during story cutscenes in RPGs is that magic-using characters will use a spell from their repertoire to accomplish something or other. Most often, this comes in the form of the healers in the party trying to repair someone who just got thoroughly wrecked, actively showing their healing spells outside of combat, but it can apply to plenty of other scenarios. In Final Fantasy 4, for example, there’s a moment in which a bunch of ice is blocking the heroes’ path, and they need Rydia to get over her fear of fire so as to use fire magic to melt the ice. Rydia, of course, steps up and delivers, as she always does, and we see her use fire magic outside of battle, and find that it’s been added to her list of battle spells.
RPGs tend to be, I’ve found, surprisingly careful about this sort of thing, too. Many times, I’ve been slightly annoyed because a party member will use an attack spell in a cutscene that’s actually not nearly the best option available to them (like, say, using Fire 1 to attack an enemy outside of actual combat even though the character has access to Fire 2). This is done, of course, to make sure that other players who may not have advanced their characters’ abilities as far as I have at that point will not be seeing the party member using spells that he/she hasn’t actually unlocked yet. It’s a careful detail for the sake of accuracy, you see. Heck, Lufia 2 has several moments in its storytelling in which Selan or another spellcaster uses their magic for a purpose outside of the battle system, and the game is so meticulous about being accurate with this, that Selan in fact has in her magic list a spell called Light, which has no actual function in the game whatsoever, save for a moment at the game’s end in which she uses it to light the dark fortress of the Sinistrals. And I think that’s only there because it was shown to have happened during the beginning sequence of the first Lufia title, so to maintain accuracy, they added this otherwise unused spell to Selan’s repertoire, specifically so her ability to light up the room (in the literal sense, though I daresay Selan does it figuratively, too) is accurate. Now that’s attention to detail!
I suspect that it is because RPGs tend to be extra careful to be accurate with their use of out-of-battle spell-casting that it seems so careless and strange when a case like Hellena in Whisper of a Rose comes along.
So, in Whisper of a Rose, the first companion that protagonist Melrose meets is Hellena, the perpetually and maybe a little unrealistically cheerful and friendly witch whose control over the elements makes her your primary spellcaster for the game. There are several moments in the game in which Hellena’s powers manifest during story scenes outside of battle, such as early in the game, when she accidentally uses a lightning bolt to try to keep Mel from walking away from her, or very late in the game, when she casts a fire spell on piles of wood during a sidequest to find a pile that doesn’t burn. In fact, those 2 abilities are the ones which Hellena frequently exhibits outside of battle, the ability to throw lightning around and the ability to control fire. She has more spells, of course, but you don’t really ever see the storytelling emphasize her control over wind, hail, rain, and plant life, just the lightning and fire thing.
And that would be just fine if Hellena actually had access to a fire spell. But she actually doesn’t.
I’ve looked everywhere on her skill tree, and even checked the walkthrough for Whisper of a Rose to see what her Rose Point super-skills are, and...nope. There is not a single fire spell in the entire tree. There’s a lightning spell, so that one checks out, but no fire spell. And yes, the lightning spell is actually of the fire element in terms of which kind of damage it does, but you can’t really count it as the same fire spells that Hellena uses during cutscenes, because, well, she also clearly has separate lightning spells that she also uses in cutscenes, too, as I said.
I know this is a nitpicky detail, but how do you, as a developer, manage to overlook the fact that the mage that you show using fire magic at multiple places in the story does not, in fact, have a fire spell? I mean, the very first time you encounter Hellena in the game, she burns down an inn! Fire is not only an ability that she makes use of frequently during the story’s course, it is also the first, character-defining thing about her that we see! That bit of hotel arson is related to Hellena’s occasional inability to control her powers, which is a plot point later on regarding her wicked witch wannabe mother. It’s at the root of a scene having strongly to do with a major story detail about Hellena! How did you just FORGET that she can’t use the fire magic she uses in this and multiple other scenes, Roseportal Games? Come on!
Is it a big deal? Nah. Is it a unique problem? Well, I guess not technically (the Mass Effect series’s cutscenes are known for ignoring the various abilities and weapon preferences of Shepard in favor of generic weapons so as to keep things easier for themselves), although it certainly is unusual. But it’s details like this that can be telling of larger problems with a game, and that’s the case here, I think, because this carelessness with following up on Hellena’s details to make sure they supported the ideas that Rosepetal Games had for her is similar to the major problems what Whisper of a Rose has with not taking the time and making the effort to support, explore, and follow through on its ideas.
Thursday, June 8, 2017
Shin Megami Tensei 4-2's Downloadable Content
I was not terribly impressed with the downloadable content for the original Shin Megami Tensei 4, if you remember. There wasn’t enough substance to them, they were overpriced, and the only 1 that was notable was also an example of how DLC is used for dishonest business practices. But hey, Shin Megami Tensei 4: Apocalypse, known on this blog as SMT4-2, is generally a better RPG than its predecessor, so maybe it’ll have a better bunch of add-ons, too! Let’s find out.
As always, this only rates DLC that could conceivably be worth paying for--in other words, add-ons with some form of story content. It’s your business if you want to delete your money for the sake of pointless cosmetic changes and experience/money/jewel/whatever grinding, but I’m not going to rate it myself.
Fall of Tokyo Promo Video: Does this count? Eh, I think it counts. Basically, this is a free DLC which just gives you the option to watch the original anime promotional video for the game back when it was announced as an upcoming title. It seems like it must have been made before the plot was really hammered down for the project, because it shows a vastly different scenario for how Nanashi gains his smartphone and makes a contract with Dagda. Really, after the initial part of the video that shows the creation of the Firmament over Tokyo, nothing about this has anything to do with the game’s events.
Still, it’s cool to watch and totally free, so I don’t really have any complaints on this.
The Inverted Pyramid: Not a good start to the paid DLCs. Much like the DLC packages for SMT4-1, this is just a brief bit of narration, a couple of battles, and then you unlock a demon (Cleopatra) for fusion purposes. $2 might not be much money, but you’re still being overcharged for a DLC that takes, what, 20 minutes to get through? Tops?
It’s also not much to speak of in terms of the actual story. It’s just a tiny little side venture in which you investigate some missing girls, 1 of which happens to be Asahi, and find that a bunch of demons from Egyptian mythology have been trying to resurrect Cleopatra, because...well, just because, really. You fight them, you fight a 90% complete Cleopatra, you save Asahi while being given the option to say that her nose is super sexy, the end. Boring and totally superfluous. I’ll grant you that Cleopatra is actually a pretty useful minion, but unless you’ve been aching for the last 50 hours of gameplay to tell Asahi how much she appeals to your nasal fetish, I say skip this one.
Lore 1, 2, + 3: No point in separating these. These 3 DLCs simply each put a new entry into the game’s codex to read, regarding parallel universes, the concept of Observation, and a chronology of the game’s historical background. It’s useful background lore for reference, not exactly giving new information, but helpfully solidifying your knowledge of the concepts and events the game builds itself on. All 3 entries are free, and benefit the player’s understanding of the game’s story, so this set gets a thumbs-up from me.
A Trip to Hawaii: And I thought the Cleopatra DLC was poor. You meet up with a demon named Mephisto, he lets you go on a pretend beach trip with your party members, he tries to take your soul, you fight him, and once he’s defeated, you can fuse him for your own uses. At least with Cleopatra, that was an actual side adventure, small and useless though it was. This is just totally worthless.
Oh, and Japan? It seems like maybe you haven’t noticed, but the internet? It exists. I know you really want to capitalize off your horny customer base with a little bathing suit fanservice, but if I want to get my rocks off to SMT4-2’s party members, or the royals of Fire Emblem 14, or any other fictional character ever conceived, it is a single image search away. And they won’t be obscured by bathing suits, they won’t take as long to download, and they won’t cost me $2.50. Hell, said pics were created and freely available before the damn game released.
Explosive Epidemic in Mikado: This one’s a bit better, I suppose. This is a side story for the game path where you decide to be a hypocritical giant douchebag and side with Dagda, in which Nanashi goes to Mikado and kills everyone there, partially because they’re turning into demons and partially because in this route Nanashi’s just the kind of fucktard who likes genocide. You go through Mikado, fighting various residents and finding out what’s going on as you do so, until you reach Hugo and get the rest of the story as to where this epidemic came from. As a side story, it’s okay, I guess, and it at least ties a little into the plot of the game (well, 1 route of the game), unlike Cleopatra and Mephisto’s nonsense. At the same time, though, not a lot comes of this, from a story perspective, and it’s a pretty forgettable sequence of events. Not as big a waste of time and money as the previous 2 paid DLC packages, but still not worth the $2.
Messiahs in the Diamond Realm: This one’s actually kind of neat...while still not being very good. In this DLC, you’re called away to a realm between realities by Stephen, for the purpose of helping the main characters of each previous numbered Shin Megami Tensei become ready to fulfill their roles as Messiah to each of their respective realities. Whereas A Trip to Hawaii was stupid, mindless fanservice that mildly insults the player, this is the good kind of fanservice, much like Mass Effect 3’s Citadel DLC: a pandering to fans not by trying to take advantage of their base instincts, but rather by working with their love for the series and their longtime devotion to your products. It’s fun to see Nanashi help, interact with, and fight alongside the protagonists of SMT 1, 2, and 3 (and 4-1, I guess, but since that naturally happens in SMT4-2 anyway, it’s less of a big deal). It also plays to nostalgia by making the dungeon you’re going through very reminiscent of the old school first-person dungeons of SMT1 and 2, complete with the original music for them. Neat! And the DLC finishes with a very challenging boss battle against an enemy that will be kind of exciting for long-time SMT fans.
Beyond nostalgia, though...well, it’s not really all that interesting. I mean, it’s not bad, or anything, but there’s just not much that happens here. It’s fun, but not particularly meaningful, to meet up with the Demifiend, Flynn, Aleph, and Kazuya, and the battle at the end just seems to be there for the hell of it, rather than any real reason. I dunno. It’s like...I want to like this, because who doesn’t like a good hero team-up, but at the same time, objectively, and even a little subjectively, I really have to admit it’s no more meaningful and entertaining than the other paid DLCs in this game. It at least gives you a little more content than the previous packages have, but it also costs the most of all of them, so in the end...sorry to say, but I find Messiahs in the Diamond Realm about as lacking as the rest of this game’s paid DLCs.
Bah. What a disappointment. SMT4-2’s Downloadable Content is barely any better than its predecessor’s. The only DLC here that has a straightforward, untainted positive effect on the game that isn’t overpriced is the 3-part Lore update. I’m finding that JRPGs’ add-ons have an even lower success rate with me than the ones made on this side of the ocean.
As always, this only rates DLC that could conceivably be worth paying for--in other words, add-ons with some form of story content. It’s your business if you want to delete your money for the sake of pointless cosmetic changes and experience/money/jewel/whatever grinding, but I’m not going to rate it myself.
Fall of Tokyo Promo Video: Does this count? Eh, I think it counts. Basically, this is a free DLC which just gives you the option to watch the original anime promotional video for the game back when it was announced as an upcoming title. It seems like it must have been made before the plot was really hammered down for the project, because it shows a vastly different scenario for how Nanashi gains his smartphone and makes a contract with Dagda. Really, after the initial part of the video that shows the creation of the Firmament over Tokyo, nothing about this has anything to do with the game’s events.
Still, it’s cool to watch and totally free, so I don’t really have any complaints on this.
The Inverted Pyramid: Not a good start to the paid DLCs. Much like the DLC packages for SMT4-1, this is just a brief bit of narration, a couple of battles, and then you unlock a demon (Cleopatra) for fusion purposes. $2 might not be much money, but you’re still being overcharged for a DLC that takes, what, 20 minutes to get through? Tops?
It’s also not much to speak of in terms of the actual story. It’s just a tiny little side venture in which you investigate some missing girls, 1 of which happens to be Asahi, and find that a bunch of demons from Egyptian mythology have been trying to resurrect Cleopatra, because...well, just because, really. You fight them, you fight a 90% complete Cleopatra, you save Asahi while being given the option to say that her nose is super sexy, the end. Boring and totally superfluous. I’ll grant you that Cleopatra is actually a pretty useful minion, but unless you’ve been aching for the last 50 hours of gameplay to tell Asahi how much she appeals to your nasal fetish, I say skip this one.
Lore 1, 2, + 3: No point in separating these. These 3 DLCs simply each put a new entry into the game’s codex to read, regarding parallel universes, the concept of Observation, and a chronology of the game’s historical background. It’s useful background lore for reference, not exactly giving new information, but helpfully solidifying your knowledge of the concepts and events the game builds itself on. All 3 entries are free, and benefit the player’s understanding of the game’s story, so this set gets a thumbs-up from me.
A Trip to Hawaii: And I thought the Cleopatra DLC was poor. You meet up with a demon named Mephisto, he lets you go on a pretend beach trip with your party members, he tries to take your soul, you fight him, and once he’s defeated, you can fuse him for your own uses. At least with Cleopatra, that was an actual side adventure, small and useless though it was. This is just totally worthless.
Oh, and Japan? It seems like maybe you haven’t noticed, but the internet? It exists. I know you really want to capitalize off your horny customer base with a little bathing suit fanservice, but if I want to get my rocks off to SMT4-2’s party members, or the royals of Fire Emblem 14, or any other fictional character ever conceived, it is a single image search away. And they won’t be obscured by bathing suits, they won’t take as long to download, and they won’t cost me $2.50. Hell, said pics were created and freely available before the damn game released.
Explosive Epidemic in Mikado: This one’s a bit better, I suppose. This is a side story for the game path where you decide to be a hypocritical giant douchebag and side with Dagda, in which Nanashi goes to Mikado and kills everyone there, partially because they’re turning into demons and partially because in this route Nanashi’s just the kind of fucktard who likes genocide. You go through Mikado, fighting various residents and finding out what’s going on as you do so, until you reach Hugo and get the rest of the story as to where this epidemic came from. As a side story, it’s okay, I guess, and it at least ties a little into the plot of the game (well, 1 route of the game), unlike Cleopatra and Mephisto’s nonsense. At the same time, though, not a lot comes of this, from a story perspective, and it’s a pretty forgettable sequence of events. Not as big a waste of time and money as the previous 2 paid DLC packages, but still not worth the $2.
Messiahs in the Diamond Realm: This one’s actually kind of neat...while still not being very good. In this DLC, you’re called away to a realm between realities by Stephen, for the purpose of helping the main characters of each previous numbered Shin Megami Tensei become ready to fulfill their roles as Messiah to each of their respective realities. Whereas A Trip to Hawaii was stupid, mindless fanservice that mildly insults the player, this is the good kind of fanservice, much like Mass Effect 3’s Citadel DLC: a pandering to fans not by trying to take advantage of their base instincts, but rather by working with their love for the series and their longtime devotion to your products. It’s fun to see Nanashi help, interact with, and fight alongside the protagonists of SMT 1, 2, and 3 (and 4-1, I guess, but since that naturally happens in SMT4-2 anyway, it’s less of a big deal). It also plays to nostalgia by making the dungeon you’re going through very reminiscent of the old school first-person dungeons of SMT1 and 2, complete with the original music for them. Neat! And the DLC finishes with a very challenging boss battle against an enemy that will be kind of exciting for long-time SMT fans.
Beyond nostalgia, though...well, it’s not really all that interesting. I mean, it’s not bad, or anything, but there’s just not much that happens here. It’s fun, but not particularly meaningful, to meet up with the Demifiend, Flynn, Aleph, and Kazuya, and the battle at the end just seems to be there for the hell of it, rather than any real reason. I dunno. It’s like...I want to like this, because who doesn’t like a good hero team-up, but at the same time, objectively, and even a little subjectively, I really have to admit it’s no more meaningful and entertaining than the other paid DLCs in this game. It at least gives you a little more content than the previous packages have, but it also costs the most of all of them, so in the end...sorry to say, but I find Messiahs in the Diamond Realm about as lacking as the rest of this game’s paid DLCs.
Bah. What a disappointment. SMT4-2’s Downloadable Content is barely any better than its predecessor’s. The only DLC here that has a straightforward, untainted positive effect on the game that isn’t overpriced is the 3-part Lore update. I’m finding that JRPGs’ add-ons have an even lower success rate with me than the ones made on this side of the ocean.
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